THE BRANDIN’ CORRAL by Bruce Kiskaddon (1878-1950)

brandincorral

 

THE BRANDIN’ CORRAL
by Bruce Kiskaddon (1878-1950)

When the west was all onsettled
and there wasn’t no bob wire,
They had a way of workin’
that was sumpthin’ to admire.
Every thing was done on hoss back,
and I’ve heard old timers talk
How the kids in cattle countries
didn’t hardly learn to walk.

They worked cattle in the open,
and they laid ’em on the ground.
It was cuttin’, flankin’, ropin’,
and a tyin’ critters down.
But the present cattle raiser
aint so strong fer that idee,
And he has a way of workin’
that’s as different as can be.

‘Taint so hard on men and hosses,
and it’s better for cow brutes
When you got a place to work ’em
in corrals and brandin’ chutes.
When we heard of brandin’ fluid,
fust we took it fer a joke.
Jest to think of brandin’ cattle
when you couldn’t smell no smoke.

Well a feller caint deny it
that the new way is the best,
Fer there’s been a heap of changes
in the ranges of the west,
Most of the outfits then was bigger,
and a cow was jest a cow,
And they didn’t stop to figger things
as close as they do now.

…Bruce Kiskaddon, July, 1935

This image is another original Los Angeles Stockyards calendar page from over eighty years ago, July, 1935.

Times change. It brings to mind cowboy and rancher Ken Cook’s contemporary poem, “The Conversation“:

What has not changed ol’ cowboy friend”
Since you was young and men were men?”
….

Poet Bruce Kiskaddon and artist Katherine Field (1908-1951) collaborated on works for the Los Angeles Union Stockyards calendar and the Western Livestock Journal. The two never met in person.

Frank King wrote, in his introduction to Kiskaddon’s 1924 book, Rhymes of the Ranges, “Bruce Kiskaddon is a real old time cowboy, having started his cattle ranch experience in the Picket Wire district of southern Colorado as a kid cowhand and rough string rider and later on northern Arizona ranges, especially as a writer for the late Tap Duncan, famous as a Texas and Arizona cattleman, and one time the largest cattle holder in Mojave County, Arizona, where Bruce rode for years, after which he took a turn as a rider on big cattle stations in Australia. All this experience is reflected in his western poems, because he has had actual experience in the themes he puts into verse, He had no college professor teach him anything. He is a natural born poet and his poems show he knows his business. The best cowhand poems I have ever read. His books should be in every home and library where western poetry is enjoyed.”

Much of what is known about Kiskaddon and his work comes from Open Range, Bill Siems’ monumental collection of Kiskaddon’s poetry. Bill Siems also collected Bruce Kiskaddon’s short stories in a book called Shorty’s Yarns. Find more in the Kiskaddon features at CowboyPoetry.com.

 

THE EARLY WORM by Bruce Kiskaddon (1878-1950)

earlyworm

 

THE EARLY WORM
by Bruce Kiskaddon (1878-1950)

You git into yore soggy clothes
and go outside the door,
It’s been a rainin’ all night long;
it rained the night before.
It sets a hand to thinkin’
of the sayin’ he has heard
How he ort to git up early,
and be the early bird.

And shore enough you see a bird
a pullin’ out some worms.
The end that’s fast shore stretches,
and the other end shore squirms.
And it puts a different meanin’
on the sayin’ you have heard.
The worm ain’t never mentioned.
You jest hear about the bird.

Now the folks that own the outfit
are a restin’ warm in bed.
While the foreman and the cow boys
must git out and go ahead.
You wish fer yore tobacker,
and you use some awful words.
The hands and foreman is the worms,
the owner is the bird.

And you git a different idee
what you might be really worth.
And then you wonder what you’ll be
yore second time on earth.
You will likely be an inseck,
or some onimportant germ
Because you know this time on earth,
yore nothin’ but a worm.

…by Bruce Kiskaddon, 1939

A good Monday morning poem, for all the worms out there.

This poem, illustrated by Katherine Field (1908-1951), first appeared in 1939 in the Western Livestock Journal and on the Los Angeles Union Stock Yards calendar. It was reprinted in 1956.

As Bill Siems writes in his landmark book, Open Range, a monumental collection of Kiskaddon’s poetry, “Western Livestock Journal was one of several interacting businesses clustered around the Los Angeles Union Stock Yards, all engaged in the raising,  marketing, and processing of livestock. Almost as soon as the Journal started publishing illustrated poems, the Los Angeles Union Stock Yards began issuing its own series, featuring an illustrated poem and calendar printed on five by ten inch card stock, enclosed with its Monthly Livestock Letter. Beginning with January 1933, these monthly calendars continued in an unbroken series through 1959, using reissued poems after the
deaths of Kiskaddon and Field.”

Kiskaddon and Katherine Field never met in person.

Much of what is known about Kiskaddon and his work comes from Open Range.  Bill Siems also collected Bruce Kiskaddon’s short stories in a book called Shorty’s Yarns. Find more in the Kiskaddon features at CowboyPoetry.com.