HE TALKED ABOUT MONTANA
by Elizabeth Ebert
He talked about Montana
For he’d worked there in his youth,
And you somehow got the feeling
That most of it was truth.
Talked about the things he’d done there,
Memories from a happy past.
Talked about Montana rivers
Running cold, and deep and fast,
About pines upon a hillside
And mountains rising high,
About the endless reaches
Of a blue Montana sky.
Said he left there at the war’s start,
Went to tell his folks good-bye.
Then there was a wartime wedding
To a girl who got his eye.
Said she’d keep the home fires burning,
‘Til the war was past and won,
Wrote her love to him in letters,
Sent him pictures of their son.
And the letters and the pictures
Helped him bear the death and blood.
And he’d dream about Montana
As he slogged through foreign mud.
They would buy a little ranch there,
And he’d teach the boy to ride.
It would be a bit of heaven,
With his family at his side.
But he came home to discover
Someone else was in his place.
She had found another lover.
It was more than he could face
For he was tired of fighting,
So he merely let them go.
It was then he started drinking,
Just to ease the pain, you know.
He’d work a month cold sober,
And then he’d draw his pay,
He was headed for Montana;
But the booze got in his way,
And he never made it out of town,
‘Fore the money all was spent
And he was busted flat again,
And he didn’t know where it went.
So he’d come back asking for his job.
And he’d hope you’d understand.
And you always hired him on again
For he was a darned good hand.
And he’d talk about Montana.
And you’d get a glimmer then,
Of the cowboy that he used to be,
And the man he might have been
Before the war and wife and whiskey
Had bent him out of shape.
Now the war and wife were history
And the whiskey was escape.
But he swore that he was going back
And he’d do most anything
For Montana sure was pretty
When it greened up in the spring.
Then he finally got an offer
To tend a band of sheep.
It was just for winter wages,
Barely paid his board and keep.
But it was in Montana,
So he was on his way,
He could stand to winter woollies,
He would work for little pay,
For he’d be there in the springtime
When the sky turned clear and blue,
And he’d go back to punching cattle
When his winter job was through.
Don’t know why he left the sheep camp,
Started walking into town,
Maybe he just needed whiskey
To wash the lonely down.
Quick come Montana’s blizzards.
Deep falls Montana’s snow.
And unforgiving are the winds
When they once begin to blow.
He’d come looking for his Paradise,
He hadn’t come to die.
But he froze upon a lonely road
‘Neath a cold Montana sky.
© 1997, Elizabeth Ebert, used with permission
This poem should not be reposted or reprinted without permission.
South Dakota’s much-loved poet, the late Elizabeth Ebert, was celebrated for her powerful writing as well as her quick wit and humor.
Baxter Black has said of her (and referring to this poem): “To say that I admire Elizabeth’s writing seems meager comment on her talent. She writes from inspiration with such graceful force it’s like her pen has power steering. There are so many first class pieces in her books, most contemporary cowboy poets would covet even just one so good in their armory. If her poems were mountains and the verses peaks, this would be the eagle soaring over all: ‘Before war and wife and whiskey/ Had bent him out of shape/ Now the war and wife were history/ And the whiskey was escape.'”
Listen to her recite this poem in a 1994 video, recently posted on Facebook by the Western Folklife Center.
Her long-time friend, South Dakota poet Yvonne Hollenbeck has an article about Elizabeth Ebert in the current issue of RANGE magazine, with photos and poetry. It begins, “The year was 1929 when four-year-old Elizabeth Summers penned her first poem. The country was headed into the Great Depression and and times were especially hard for farm families on the South Dakota prairie, but she constantly wrote verses noting the struggles as well as the good times experienced during her youth.”
Journalist Carson Vaughan wrote about Elizabeth Ebert in a February, 2017 American Cowboy profile.
Find more about Elizabeth Ebert at CowboyPoetry.com.
This iconic image, c. 1888, titled “The Cow Boy,” is by J.C.H. Grabill, a photographer from Sturgis, Dakota Territory. It is from The Library of Congress Prints and Photographs Division. Find more about it at .
Grabill worked in Dakota Territory and The Library of Congress maintains an on-line collection of Grabill photographs.
(Please respect copyright. You can share this poem with this post, but any other use requires permission. The photo is in the public domain.)