MAKE ME NO GRAVE, by Henry Herbert Knibbs

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MAKE ME NO GRAVE
by Henry Herbert Knibbs (1874-1945)

Make me no grave within that quiet place
Where friends shall sadly view the grassy mound,
Politely solemn for a little space,
As though the spirit slept beneath the ground.

For me no sorrow, nor the hopeless tear;
No chant, no prayer, no tender eulogy:
I may be laughing with the gods—while here
You weep alone. Then make no grave for me

But lay me where the pines, austere and tall,
Sing in the wind that sweeps across the West:
Where night, imperious, sets her coronal
Of silver stars upon the mountain crest.

Where dawn, rejoicing, rises from the deep,
And Life, rejoicing, rises with the dawn:
Mark not the spot upon the sunny steep,
For with the morning light I shall be gone.

Far trails await me; valleys vast and still,
Vistas undreamed of, canyon-guarded streams,
Lowland and range, fair meadow, flower-girt hill,
Forests enchanted, filled with magic dreams.

And I shall find brave comrades on the way:
None shall be lonely in adventuring,
For each a chosen task to round the day,
New glories to amaze, new songs to sing.

Loud swells the wind along the mountain-side,
High burns the sun, unfettered swings the sea,
Clear gleam the trails whereon the vanished ride,
Life calls to life: then make no grave for me!

…Henry Herbert Knibbs

Linda Marie Kirkpatrick shared the sad news of the death of Diane Coggin Merrill on October 22, 2019. Diane was the daughter of Mason Coggin (1938-2000) and Janice Coggin (1937-2013) of Cowboy Miner Productions, publishers of cowboy poetry. This poem was delivered at Mason Coggin’s funeral and was a favorite of Diane Coggin Merrill.

Cowboy Miner published books with the poetry of Bruce Kiskaddon, Henry Herbert Knibbs, Badger Clark, S. Omar Barker, D.J. O’Malley, and other classic poets. They also published contemporary poets, including Larry McWhorter, Chris Isaacs, Sunny Hancock, Jessie Smith, Ray Owens, Dee Strickland Johnson, Jane Morton, Rolf Flake, Linda Marie Kirkpatrick, DW Groethe, Michael Whitaker, Kent Stockton, and others. Their books, particularly in the pre- and early-internet days, were important sources for readers and reciters. Their daughter carried on the business until illness prevented her from continuing.

All three Coggins were great friends to poets (and to cowboypoetry.com) and were frequent participants at gatherings. Find a Diane Coggin Merrill Memorial page on Facebook.

The great troubador and music historian Don Edwards created an outstanding song from this poem. It appears on his Heaven on Horseback album.

It’s often noted that Henry Herbert Knibbs—known for poems such as “Where the Ponies Come to Drink” and “Boomer Johnson”—was not a cowboy. But Knibbs was not inexperienced with Western life.

Lee Shippey wrote about him in a 1931 article in the Los Angeles Times. He notes that Knibbs was born in the Canadian east, went to Harvard, and had a novel published while he was still a student there. He writes, “…when a man can come out of the East, handicapped by such an un-Western sounding name as Henry Herbert Knibbs, and become a man whose songs and stories are loved by the cow men and prospectors and adventurers of all the Western States, he must have something.”

He continues, “While still a young Canadian he tramped the great Canadian forests and all he asked was a canoe, a pack and a gun and he could supply himself with food and shelter. Later he came down into Maine and had a unwritten contract to supply several lumber camps with fresh meat. He was so successful in that business that a special game warden was assigned the task of catching him in some unlawful act.” He goes on to tell that the warden could never catch Knibbs doing anything wrong, and that Knibbs would sometimes lead him on wild chases. Then one day Knibbs found the warden in medical distress and nursed him back to health. The warden didn’t want to pursue Knibbs after that, and persuaded his superiors to call off the hunt. In fact Knibbs was offered a warden position, but he declined, as he had decided to head for California.

Knibbs headed West, and after some newspaper work, “He built himself a little covered wagon—a spring wagon with a canvas top on it—and set out to see California. For the better part of a year he jogged about, visiting many places where still motor cars cannot go, for good horses and a light wagon could take him to many places where there were no roads.”

It is noted that at the time of the column he had published a number of novels and that five of his stories were made into motion pictures. Shippey writes, “But it is probably that his poems will outlive his prose. For there are many western authors but few poets whose work really appeals to the men of plains and ranges, to cow men and prospectors and those who know life in that vanishing domain which is western in spirit as well as geographically.”

Find more about Knibbs at CowboyPoetry.com.

Find more about Don Edwards at westernjubilee.com and visit his site, donedwardsmusic.com.

This photo is from the Connecticut State Archives, available through Creative Commons. The caption describes it, “An autographed promotional photo of Henry H. Knibbs in the desert with 2 pack mules and a walking stick in cowboy garb…” [Connecticut State Library, State Archives, PG 460, Colt Patent Fire Arms Manufacturing Company, Box 2, Folder 7, Item 4; flickr.com/photos/ctarchives/4110253896/]

(This poem is in the public domain.)

THE LOST RANGE by Henry Herbert Knibbs (1874-1945)

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photo: Connecticut State Library, State Archives, PG 460, Colt Patent Fire
Arms Manufacturing Company, Box 2, Folder 7, Item 4

 

THE LOST RANGE
by Henry Herbert Knibbs (1874-1945)

Only a few of us understood his ways
and his outfit queer,
His saddle horse and his pack-horse,
as lean as a winter steer,
As he rode alone on the mesa,
intent on his endless quest,
Old Tom Bright of the Pecos,
a ghost of the vanished West.

His gaze was fixed on the spaces;
he never had much to say
As he jogged from the Rio Grande
to the pueblo of Santa Fè;
He favored the open country
with its reaches clean and wide,
And called it his “sagebrush garden—
the only place left to ride.”

He scorned new methods and manners,
and stock that was under fence,
He had seen the last of the open range,
yet he kept up the old pretense;
Though age made his blue eyes water,
his humor was always dry:
“Me, I’m huntin’ the Lost Range,
down yonder, against the sky.”

That’s what he’d say when we hailed him
as we met him along the trail,
Out from the old pueblo,
packing some rancher’s mail,
In the heat of the upland summer,
in the chill of the thin-spread snow…
Any of us would have staked him,
but Tom would n’t have it so.

He made you think of an eagle
caged up for the folks to see,
Dreaming of crags and sunshine
and glories that used to be:
Some folks said he was loco—
too lazy to work for pay,
But we old-timers knew better,
for Tom was n’t built that way.

He’d work till he got a grub-stake;
then drift, and he’d make his fire,
And camp on the open mesa,
as far as he could from wire:
Tarp and sogun and skillet,
saddle and rope and gun…
And that is the way they found him,
asleep in the noonday sun.

They were running a line for fences,
surveying to subdivide,
And open the land for the homesteads—”
The only place left to ride.”
But Tom he had beat them to it,
he had crossed to The Other Side.

The coroner picked his jury—
and a livery-horse apiece,
Not forgetting some shovel—
and we rode to the Buckman lease,
Rolled Tom up in his slicker,
and each of us said, “So-long.”
Then somebody touched my elbow
and asked for an old-time song.

Tom was n’t strong for parsons—
so we did n’t observe the rules,
But four us sang, “Little Dogies,”
all cryin’—we gray-haired fools:
Wishing that Tom could hear it
and know that we were standing by,
Wishing him luck on the Lost Range,
down yonder, against the sky.

…by Henry Herbert Knibbs, from “Saddle Songs and Other Verse,” 1922

It’s often noted that Henry Herbert Knibbs—known for poems such as “Where the Ponies Come to Drink” and “Boomer Johnson”—was not a cowboy. But Knibbs was not inexperienced with Western life.

Lee Shippey wrote about him in a 1931 article in the Los Angeles Times. He notes that Knibbs was born in the Canadian east, went to Harvard, and had a novel published while he was still a student there. He writes, “…when a man can come out of the East, handicapped by such an un-Western sounding name as Henry Herbert Knibbs, and become a man whose songs and stories are loved by the cow men and prospectors and adventurers of all the Western States, he must have something.”

He continues, “While still a young Canadian he tramped the great Canadian forests and all he asked was a canoe, a pack and a gun and he could supply himself with food and shelter. Later he came down into Maine and had a unwritten contract to supply several lumber camps with fresh meat. He was so successful in that business that a special game warden was assigned the task of catching him in some unlawful act.” He goes on to tell that the warden could never catch Knibbs doing anything wrong, and that Knibbs would sometimes lead him on wild chases. Then one day Knibbs found the warden in medical distress and nursed him back to health. The warden didn’t want to pursue Knibbs after that, and persuaded his superiors to call off the hunt. In fact Knibbs was offered a warden position, but he declined, as he had decided to head for California.

Knibbs headed West, and after some newspaper work, “He built himself a little covered wagon—a spring wagon with a canvas top on it—and set out to see California. For the better part of a year he jogged about, visiting many places where still motor cars cannot go, for good horses and a light wagon could take him to many places where there were no roads.”

It is noted that at the time of the column he had published a number of novels and that five of his stories were made into motion pictures. Shippey writes, “But it is probably that his poems will outlive his prose. For there are many western authors but few poets whose work really appeals to the men of plains and ranges, to cow men and prospectors and those who know life in that vanishing domain which is western in spirit as well as geographically.”

This photo is from the Connecticut State Archives, available through Creative Commons. The caption describes it, “An autographed promotional photo of Henry H. Knibbs in the desert with 2 pack mules and a walking stick in cowboy garb…”

Find more about Knibbs at CowboyPoetry.com.

 

THE BRONCO by Henry Herbert Knibbs (1874-1945)

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THE BRONCO
by Henry Herbert Knibbs (1874-1945)

The bronco’s mighty wild and tough,
And full of outdoor feelin’s:
His feet are quick, his ways are rough,
He’s careless in his dealin’s.

Each mornin’ he must have his spree,
And hand you plenty trouble
A-pitchin’ round the scenery
Till you are seein’ double.

Or mebby-so, you think he’s broke,
And do a little braggin’;
“Plumb gentle hoss!” he sees the joke,
And leaves—with reins a-draggin’.

Or, mebby-so, you think he’ll jump
That little three-foot railin’:
When all he does is stop and hump,
And stay—while you go sailin’.

But when his pitchin’ fit is done,
And ropin’, cuttin’, brandin’,
Is on the bill—I’ll tell you son,
He works with understandin’.

At workin’ stock he’s got his pride:
—Dust rollin’, boys a-yellin’—
He’ll turn your steer, and make you ride,
And he don’t need no tellin’.

Perhaps you’re standin’ middle-guard,
Or ridin’ slow, night-hawkin’:
And then your bronc is sure your pard,
At loafin’, or at walkin’.

Or, when the lightnin’ flashes raw,
And starts the herd a-flyin’,
He’s off to head ’em down the draw,
Or break your neck, a-tryin’.

A bronc he sure will take his part,
At gettin’ there or stayin’:
He’ll work until he breaks his heart,
Be he don’t sabe playin’.

He may be wild, he may be tough,
And full of outdoor feelin’s:
But he’s all leather, sure enough,
And he puts through his dealin’s.

….by Henry Herbert Knibbs, from Saddle Songs and Other Verse, 1922

Henry Herbert Knibbs wrote stories, poems and novels. He never worked as a cowboy, but he was a student of the West and his friendships, including one with cowboy, rancher, and writer Eugene Manlove Rhodes informed his work. His poems are still often recited today, including “Boomer Johnson,” “The Walking Man,” “Shallows of the Ford,” and “So Long, Chinook!”

Find more about Knibbs and more of his poetry at CowboyPoetry.com.

This image is from a c.1908 reproduction of an 1888 wood engraving by great Western artist Fredric Remington (1861-1909). It’s from The Library of Congress Prints and Photographs Division. Find more about it here.

(This poem and image are in the public domain.)