MY FATHER’S HORSES, by DW Groethe

myfathers2019photo © 2015, John Michael Reedy; request permission for use

MY FATHER’S HORSES
by DW Groethe

It must’ve been a day
for peace an’ reverie
When my father took a pencil in his hand
an’ scribed upon his notebook,
all the horses that he’d had
when growin’ up in West Dakota land.

I can see him sittin’, thoughtful,
soft smile in his eyes,
As the ponies pranced before him, once again.
Then he jotted each one down,
with a slow an’ careful hand.
Sometimes, horses, can count right up with kin.

Tobe, Frank an’ Muggins,
Daisy I an’ Daisy II,
(his mem’ry felt a breeze that stirred their manes.)
Charlie, Chub an’ Pearl
found their way up to the front
an’ back once more upon the dusty plains.

Prince I an’ II an’ Mike
come lopin’ lightly into view,
he penned their mem’ries, gentle on the page…
a-waitin’ an’ a thinkin’,
he was missin’…just a few
when Queen an’ May neared, nickerin’ thru the sage.

An’ finally, down the draw,
come Thunder, Buck an’ Bill
a’flyin’ like the wind an’ they was one.
then he eased back in his chair,
contemplatin’ all that’s there,
his gatherin’ of the old bunch was all done.

Yeah…it must’ve been a day
of peace an’ reverie,
in his office, at a desk of metal gray,
when the ol’ man made a tally
a-gatherin’ up his cavvy,
One last time, a-fore they slipped away.

© 2007, DW Groethe
This poem should not reprinted or reposted without permission

Eastern Montana ranch hand, poet, and picker DW Groethe told us about this popular poem’s inspiration, “Among the many things I inherited from my father was a box of items from his office desk. In it there was a handful of pens and pencils and a small pocket notebook…On the first page he’d written the names of sixteen horses…the horses he’d grown up with back in the twenties and thirties. I wish I could remember all the
stories he had about them. As it is, all I have is a page in an old worn notebook and a poem to honor their memories.”

DW performs his poetry and music at venues small and large. He’s appeared many times at the Western Folklife Center’s National Cowboy Poetry Gathering, and has been invited to the the National Traditional Council for the Arts’ National Folk Festival, The John F. Kennedy Center for the Performing Arts, The Library of Congress, and other places. He has books and recordings. Find more about him at cowboypoetry.com.

This beautiful June, 2015 photograph is by John Michael Reedy, Montana photographer, songwriter, musician, and poet. Pictured along with the horses are his offspring, the impressively talented Brigid and Johnny Reedy. The young Reedys are just back from performing at the Montana Folk Festival. They perform at events across the West, including the National Cowboy Poetry Gathering.

See Brigid and Johnny Reedy at the 10th annual Lost N Lava ​Cowboy Gathering,  September 20-21, 2019 and they’ll be at the Texas Hill Country Cowboy Gathering, November 8-9, 2019 in Fredericksburg.

See additional impressive photography at John Reedy’s site. Find more about him at cowboypoetry.com and visit twistedcowboy.com.

(Please respect copyright. You can share this poem and image with this post, but please request permission for other uses.)

CATTLE, by Berta Harte Nance (1883-1958)

cattle2018x

CATTLE
by Berta Harte Nance (1883-1958)

Other states were carved or born
Texas grew from hide and horn.

Other states are long and wide,
Texas is a shaggy hide.

Dripping blood and crumpled hair;
Some fat giant flung it there,

Laid the head where valleys drain,
Stretched its rump along the plain.

Other soil is full of stones,
Texans plow up cattle-bones.

Herds are buried on the trail,
Underneath the powdered shale;

Herds that stiffened like the snow,
Where the icy northers go.

Other states have built their halls,
Humming tunes along the walls.

Texans watched the mortar stirred,
While they kept the lowing herd.

Stamped on Texan wall and roof
Gleams the sharp and crescent hoof.

High above the hum and stir
Jingle bridle rein and spur.

Other states were made or born,
Texas grew from hide and horn.

…by Berta Hart Nance
Hear Andy Hedges’ outstanding recitation of this poem on the current Cowboy Crossroads episode. The episode is part one of a riveting interview with respected cowboy, horseman, reciter, and poet Joel Nelson, made at the Texas Cowboy Poetry Gathering earlier this year. Joel Nelson tells great stories about his earliest ranch memories; time spent with his father, who was a cowboy and deputy sheriff; and about his early cowboying work, including his time at the 06 Ranch; and other formative experiences.

The popular Cowboy Crossroads podcast, a growing, lasting archive of engaging interviews with those involved in the working West and beyond, includes episodes with Don Edwards, Gary McMahan, Waddie Mitchell, Randy Rieman, Dom Flemons, Mike Beck, Ramblin’ Jack Elliott, Hal Cannon, Andy Wilkinson, Jerry Brooks, Wallace McRae, Amy Hale Auker, Ross Knox, and others.

Find Andy Hedges next at the 9th Annual Lost N Lava Cowboy Gathering in Shoshone, Idaho on September 14-15. The lineup also includes Kristyn Harris, Brigid & Johnny “Guitar” Reedy, John Reedy, Lynn Kopelke, Panhandle Cowboys (Dave Fulfs & JB Barber), Tony Argento, Prairie Wind Coyote (Joseph Sartin & Little Joe McCutcheon), Open Range (Linda Hausler & Ric Steinke), Thatch Elmer and David Anderson.

Andy Hedges has many other performances coming up at interesting venues. See andyhedges.com for his schedule.

In his 1941 book, “The Longhorns,” J. Frank Dobie (1888-1964) writes, “The map of Texas looks somewhat like a roughly skinned cowhide spread out on the ground, the tail represented by the tapering peninsula at the mouth of the Rio Grande, the broad head by the Panhandle. But ‘Cattle,’ by Berta Hart Nance, goes deeper than the map.”

Berta Hart Nance (1883-1958) was the daughter of a rancher, who was also a Confederate veteran, Indian fighter, and cousin of Jefferson Davis,” according to the Texas Almanac, which includes more about her life and writings. In 1926, her book-length poem about Texas was published, “The Round-Up.” She had two other books of poetry published, and her work was included in many anthologies.

Find more about her and her poem at CowboyPoetry.com.

This 1938 photograph, “Cattle range on the high plains of the Texas Panhandle,” is by noted Depression-era documentary photographer Dorothea Lange (1895-1965). It’s from The Library of Congress U.S. Farm Security Administration/Office of War Information Black & White Photographs.

Dorothea Lange is best known for her Depression-era photograph of a migrant woman. See that photos and others in a 2013 Picture the West at CowboyPoetry.com.

Find a brief biography of Dorothea Lange, a part of Ken Burns’ The Dust Bowl, at PBS. The Museum of Modern Art has a gallery of photos.

(This poem and photograph are in the public domain.)