SCRAMBLED WISDOM ALMOST ISN’T IS…IS IT by Baxter Black

11-17-Baxter Black- Scrambled Wisdom [Almost Isn't Is, Is It]

Top poet, writer, and cowboy philosopher Baxter Black dedicates his latest book, Scrambled Wisdom: Almost isn’t is … is it, to the late, much-missed funnyman and cowboy poet Pat Richardson. Baxter describes Pat, “…He was droll, with a monotone delivery and every time you’d take a breath he’d drop a knee-slappin’, dog barkin’, rarin’ back, stomp on the floor till the possum is dead ‘one liner’…that brought the house down!”

There are “Pat stories” sprinkled throughout. Baxter famously once said of Pat’s poetry, “If you boiled cowboy poetry down to what’s worth savin’, this is what the stew would smell like.” These two larger-than-life comic geniuses have inspired so many.

Scrambled Wisdom… lives up to its title. There are pithy observations on life, some with “afterthoughts” (“A cowboy without a horse is like a bird without wings. A cowboy without wings is like a bow-legged ostrich!”); aphorisms; quotations; jokes; asides; life lessons, advice (“If you can’t be kind, at least be vague”); and more. Always known for loyalty to his friends, there are mentions of and derived wisdom from many familiar names, such as Dave Stamey, Les Buffham and Mike Fleming, Elmer Kelton, “Vikki’s Grandpa Bill,” and many others. Shakespeare, the Bible, and Theodore Roosevelt are represented.

The wacky wisdom is served up in one-page commentaries and sprinkle of poems, loosely collected in chapters: “Cowboy Up,” “Cowboy Logic,” “Horses,” “Rodeo,” “Farmers,” “Vets and Dogs,” “Workin’ Cattle,” “Cow Bidness,” “Mumbles,” “Out There,” “Flag and Family,” “Riding Drag,” and even “Seriously, Sort Of” (fear not).

With pieces as varied as “On Cowboy Advice to the Lovelorn,” “On Carpooling the Cowboy Way” and “On Lizard Abuse,” there are definitely more topics than a sane person could imagine. The illustrations (inside by Charlie Marsh and Etienne “A-10” Etcheverry, cover by Bob Black) are also wild and numerous and even the credits are laced with hilarity (“Bob lives in Arizona with his beautiful life and sneezes for a living.”).

Don’t look for political correctness and there is plenty that would make a librarian clutch her pearls. Most would say that is what they value in Baxter Black’s humor.

The small-format hardcover is chock full of fun, and a perfect gift. Visit baxterblack.com for order info and special holiday deals.

 

Rick Huff’s “Best of the West Reviews,” Winter, 2017

 

Rick Huff reviews Western music and cowboy poetry releases in his “Rick Huff’s Best of the West Reviews” column in The Western Way from the Western Music Association and in other publications.

Rick Huff considers Western music books and recordings; cowboy poetry books, chapbooks, and recordings;  and relevant videos for review. For other materials, please query first: bestofthewest@swcp.com.

Please be sure to include complete contact information, price (plus postage) and order address information.

From Rick Huff, February, 2012:

Policy of the Column: It should be understood by artists sending material that it is being done for review consideration. Submitting such material does not ensure that it will be reviewed. Also, predominantly religious material is not accepted for review in the column. If further clarification is needed, contact Rick Huff, PO Box 8442, Albuquerque, NM 87198-8442.

Find other recent reviews here and hundreds of previous reviews on CowboyPoetry.com.

Find current and past reviews published in The Western Way at the Western Music Association site.

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Selections from “Rick Huff’s Best of the West Reviews,” Winter, 2017, below:

•  Baxter Black  SCRAMBLED WISDOM ALMOST ISN’T IS…IS IT
• 
Terry Nash A GOOD RIDE
•  Rod Miller  RAWHIDE ROBINSON RIDES A DROMEDARY
• 
Bob Marshall SCREEN DOOR 

 

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11-17-Baxter Black- Scrambled Wisdom [Almost Isn't Is, Is It]

SCRAMBLED WISDOM ALMOST ISN’T IS…IS IT
by Baxter Black

If the various computer auto-corrects through which it will run actually allow Baxter Black’s title for his latest book to remain unmolested without major reprogramming, it’ll be a miracle!  Or as Black puts at one point in the book: “Anlkadhtlid;s;apoliet eto tpnongljeryrypp (and this applies to typing, too)!”

Here we have a collection of mini-essays and some poems, each with an afterthought (or Baxterthought?)…such as “if life gives you llamas, make llamanade” and “if three out of four people suffer from diarrhea, does that mean one out of five enjoys it” and “(when) Horace Greeley said ‘go west, young man’…three hundred people in San Francisco drowned.”  You get the picture, and boy what a picture.  The book is dedicated to the late Pat Richardson, and some of his pearls are strung in as well.

There’s a good measure of education here on the perils, strangeness, wonder, wackiness and indispensability of the agricultural life.  Therefore, might we say Black’s lives matter?  Occasionally some of it will be best appreciated by his target audience and some of his traditional targets are again in his cross-hairs, but when he pitches haymakers, he’s just feeding the herd.  Recommended, but then when would something from BB not be?

Book (162 pages) – baxterblack.com

©2017, Rick Huff

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11-17-Terry Nash-A Good Ride

A GOOD RIDE
by Terry Nash

First, Terry Nash is, beyond a doubt, one of the best Cowboy Poets writing or delivering today.  I have always found his releases to be worth both your time and investment.

Badger Clark’s “Ridin’” was put to music as a song some years back. For this album, guitarist Ken Dravis helps to create a different but equally suitable mounting for Nash’s enthusiastic take on it.  Beyond the Clark cover, others include works of Kiskaddon (“The Lost Flannins”), Donnie Wynkoop (the hilarious “Fords [Snake Attack]”) and Buck Ramsey (“Bad Job”).  Original picks are “Homesteader,” a fresh version of his wonderful work “A Cowman’s Lot,” an ‘object’ lesson (the object being cow poop) called “Blurred Vision,” “December Stragglers” and what could be called a modern-day “moral of the story” story “Skype (#don’tgetthispoundsignstuff).”

I’ve said this in other reviews, but it holds true.  This particular CD is one of those you might consider using when defining or illustrating what cowboy poetry is or should be. Fourteen tracks.  Highly recommended.

CD:  $18 ppd from Terry Nash, 1278 N Road, Loma, CO 81524 or visit terrynashcowboypoet.com

©2017, Rick Huff

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Rawhide Robinson Rides a Dromedary

RAWHIDE ROBINSON RIDES A DROMEDARY
by Rod Miller

Billed as “the true tale of a wild west camel caballero,” it may be best described as a true “tail” of one!  To be sure, many facts of the historic, ill-fated Army camel gambit in the Arizona desert are faithfully relayed through this story…along with plenty about 19th Century sailing on the high seas!  But remember, Rod Miller’s Rawhide Robinson is also part Pecos Bill!

I will say with this dromedary lope, Rawhide may have found his stride.  His tall tales are integrated more sparingly than in his first outing and he’s hooked more to historical doings than he was in his second.  Filmmaker Joe Camp (of Benji fame) took a dip into the camel trough in his 1976 comedy Hawmps, coming about as close as Hollywood ever does to relating the real story of something.  In Miller’s version, Rawhide Robinson is officially hornswoggled into sailing over the salty seas to roundup and transport the contrary animals back to Arizona.  Adventure ensues.  Back in America, mule packers claim camels are no match for their charges, resulting in an epic desert test.  What happens in the end?  Hint:  Maybe because Rawhide Robinson wasn’t really there is why the #!*^#ing plan never worked!  Enjoy!

Trade Paperback:  (290 pages) $25.95  www.rawhiderobinson.com

©2017, Rick Huff

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11-17-Bob Marshall-Screen Door

SCREEN DOOR
by Bob Marshall

Bob Marshall’s newest release is an enjoyable, solid mix of Contemporary Western and Country tracks  Ten top Austin-area session people participated, including former WMA artist/now Reckless Kelly leader Cody Braun.  When you’re aiming to secure Texas radio airplay, this is all to the good.  But anyone doing it should know there is an Austin formula sound…and some of it has crept in here.

Picks from among the Marshall creations include the bluesy swinger “Hole In My Rope,” “He Talks To God,” “Rodeo Queen Deluxe” and “It’s Gonna Get Western.”  Add to them Marshall’s fine cover of the Donnie Blanz/Ed Bruce song “You Just Can’t See Him From The Road.”

Bob Marshall is a strong enough performer to garner airplay and fans wherever he can, and he certainly can’t be blamed for looking for both wherever they can be had.  He’s another example of the need to build a commercial base from which serious Western artists can work.  Thirteen tracks.  Recommended.

CD: $20 postpaid, www.bobmarshallband.com.

 

ADVICE by Deanna Dickinson McCall

Beauty-and-Strength

© 2017, JaNeil Anderson, “Beauty and Strength”

ADVICE
by Deanna Dickinson McCall

The corrals were full enough to bust,
And we’d all had our share of dust.
But, we’d got all the pairs in
And the separating was about to begin.

Our new son-in-law was working the gate
Trying hard to discriminate
When an angry mama came charging up
Mad over the hold up.

Hearing the commotion I rode through the dust
And shared some advice he could trust,
“Son, don’t crowd her, whatever you do,
When her head is held high she’ll take the fence or you.”

Better off to just let stand, cool down a bit
She’s not afraid of horse or man, let her have her fit.
It’s Nature’s way to attack or run, fear and anger is part of life.
I know it’s not exactly fun, but, remember she is your wife.”

© Deanna Dickinson McCall
This poem should not be reprinted or reposted without the author’s permission.

Fifth-generation rancher and writer Deanna Dickinson McCall never lacks for inspiration for her poetry and writing; her family is a great source. She and husband Dave have given the West new generations of ranchers and cowboy poets and reciters, as well.

Her just-released collection of stories, Rough Patches II, follows the first award-winning volume of Rough Patches. Red Steagall comments on the new release, “…This collection is brilliant.” Western writer Johnny Boggs declares, “Deanna McCall writes without frills or foofaraw–just hard, believable stories of tough, flawed people and strong women in the modern West.” In his foreword, poet and writer Rod Miller writes, “When it comes to women writing about the West, you would be hard-pressed to find one more authentic than Deanna Dickinson McCall.” Find order information here.

Deanna also has a highly praised book of stories and poems, Mustang Spring, and an award-winning CD of her poetry, Riding. Her work appears in many anthologies and magazines and she’s a popular performer at gatherings, often appearing at the Arizona Cowboy Poets Gathering, the Texas Cowboy Poetry Gathering, the Western Folklife Center’s National Cowboy Poetry Gathering, and other events.

Find more about Deanna Dickinson McCall at CowboyPoetry.com; at her web site, deannadickinsonmccall.com; and on Facebook.

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New Mexico artist and rancher JaNeil Anderson’s painting, “Beauty and Strength,” graces the cover of Rough Patches II. She and Deanna have collaborated previously, pairing poems and paintings in Split Reins, an impressive book that received the Will Rogers Medallion Award.

JaNeil Anderson studied under Cowboy Artists of America painters James Reynolds and R.S. Riddick. She and her husband live on their family’s third-generation ranch along the banks of the Gila River in southwest New Mexico. She is represented by Thunder Horse Gallery in Ruidoso.

Find more about JaNeil Anderson at janeilanderson.com and on Facebook.

Theodore Waddell: My Montana—Paintings and Sculpture, 1959-2016

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Montana native Theodore Waddell’s works have been said to have “immense, poetic dignity.” A new volume, Theodore Waddell: My Montana—Paintings and Sculpture, 1959-2016 from the University of Oklahoma Press looks at the life and experience that informs his work. Rick Newby relies on letters, journals, and interviews to profile the artist and his craft in this eminently readable work.

It’s not possible to label Waddell’s style, beyond “modern.” Large, impressionistic, abstract, full-yet-minimalist-inspired landscapes dominate his painting. In a foreword, former Montana Congressman Pat Williams writes, “The sparsity of his painting, what he leaves out as well as what he puts in, restores the memories of our visions.” The artist is quoted, “The traditional artists don’t like me because I am not realistic enough, and the contemporary artists don’t like me because I am too realistic.”

A number of essays by critics and friends are included in the book, and rodeo poet and lyricist Paul Zarzyski is one of those friends. In a piece titled “From Captain Woodrow Call to Captain Kirk to Captain Teddy-Bob Waddell of the Wild Cowpoke Wild Brushstroke Wild Cosmos West,” he celebrates Waddell’s contribution to “…what’s left of the iconoclastic un-cloned cowboy West…”

Zaryski appreciates the scale and sense of the work, and comments that “…landscape rules the Western roost for me as a poet, especially as a ‘cowboy poet.'” He describes the impact of the first time he saw the 10’x5’ “Sun River Horses.” He writes, “Instead of my drinking ‘it’ in, the painting swallowed me into its being like a T. Rex ingesting a no-see-um.” An image of the painting later appeared as one of Zarzyski’s book covers.

Waddell’s family history as well as his artistic influences are explored. A generous chapter, “The Ranching and Painting Years,” is a candid look at twenty years of ranching near Molt, Montana. An understanding of the artist’s use of space, texture and color, and the influence of weather come to fore from its pages.

The book is lavishly filled with glorious color images and photographs. The reader is left with a satisfying sense of what drives this unique artist and why his canvases and sculptures are impressive and important.

The book’s many-page index of publications by and about Theodore Waddell follow his career and its reception by the art world. An impressive exhibition history is included, which also lists the numerous permanent collections that hold his art.

Theodore Waddell’s painting, “Sheep #12,” was selected as the poster art for the Western Folklife Center’s 2018 National Cowboy Poetry Gathering.

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Find more about Theodore Waddell at theodorewaddell.com. There’s more on the book and order information at the University of Oklahoma Press and other booksellers.

“Ordinary Skin” by Amy Hale Auker

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From writer, poet, and working cowboy Amy Hale Auker’s new collection of creative nonfiction, Ordinary Skin: Essays from Willow Springs:

Icons only work if there is something of substance to back them up. The cowboy as icon only works if we keep the bedrock, the substance behind him. He is not some model of character or ethics or integrity, but a husband of the land, a grower of food. He is not an actor getting his share of the corporate take by reciting the words of scriptwriters and asking his horse to rear in time to the music. The cowboy is not a nostalgic touchstone from Saturday matinees, but a present-day reality, saddling his horse and getting greasy in the shop and building a fence. Six-guns and wooly chaps and parades and rodeos aside, the cowboy is a steward of precious resources, a caretaker of animals.

Amy Hale Auker’s Ordinary Skin is a deeply personal and original view from today’s working West.  “Thoughtful” would be too passive a description for the writing; she is anything but passive. She is startlingly present, exquisitely and equally attuned to mud bugs and cows and horses with attitude and the heart of an aged grandfather. It’s an outstanding collection of narrative nonfiction, brave in its honesty and vast in its themes.

And the narrative is the thing. She is a deft storyteller. Her transition from ranch wife to working cowboy was hard won and she writes about it candidly, in descriptions both tough and tender. Hers is not your grandfather’s cowboy life. Or is it? She offers up plenty of cowboy tales, with all the failures and successes of ranch work. It is the “romance of ranching life,” both in its ironic sense and its sense of deep fulfillment.

There are rich, often sensuous, passages, especially when she writes of her ranch manager partner and lover and their labor together in Arizona’s remote and rugged Santa Maria mountains. One moving piece begins, “…We rode out early of a morning after a big fight the night before. Working together means no time-out after hurtful words in the dark …” The long ride to their destination helps to heal, “As we stepped off to air our horses’ backs before dropping down into the deep crease in the earth, a heavy late-spring snow began to fall all around us, one of the most beautiful moments of my life…” You’ll want to read about what happened next.

She observes others, especially her family, with clarity and compassion, even when their style may be contrary to her own. In one anecdote, her father’s anger has the family sitting at the dinner table in “stiff silence,” no one wanting to become the focus of his attention. She writes, “My mother, always and forever trying to make peace, looked out the plate glass window and said, ‘My, aren’t the birds pretty.'” There’s no judgment in the telling of the story. She tells it like it was, and you find yourself as relieved as the rest of the family must have been when the comment breaks the tension and leads her father to respond with a roar of laughter. Next, you may find yourself reflecting on the lessons there. Once again Amy Hale Auker shows you something, and leaves any conclusions to the reader.

Ordinary Skin is much worth savoring and contemplating. The writing is polished to a sheen: “First came glassy jewels of hail the size of juniper berries and just as blue. Then came driving sideways rain and the ground began to run and move and designate its low places and its high.”

Amy Hale Auker fearlessly makes her own way through a challenging and rewarding life, paying attention. There’s no hubris in these essays, just keen observation, respect and love for friends and family, and a humble reverence for and curiosity about the natural world. Like the best poetry—and her prose often approaches poetry—the writing is filled with metaphor, the sort that might make you gaze up from the book and stop to consider, for example, what you and those mudbugs might have in common.

With well-received books to her credit (a previous book of essays and two novels) her steady voice has become an important voice. In Ordinary Skin, that voice soars.

Ordinary Skin is published by Texas Tech University Press, under the wise and guiding hand of  Senior Editor Andy Wilkinson, as a part of the “Voice in the American West” series.

Find more at www.amyhaleauker.com.

 

 

 

THE OLD DOUBLE DIAMOND lyrics by Gary McMahan

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THE OLD DOUBLE DIAMOND
lyrics by Gary McMahan

The old Double Diamond lay out east of Dubois
in the land of the buffalo
And the auctioneer’s gavel rapped and it rattled,
as I watched the old Double Diamond go.
Won’t you listen to the wind
Mother Nature’s violin.

When I first hired on the old Double Diamond
I was a dammed poor excuse for a man
Never learned how to aim,
well my spirit was tame
couldn’t see all the cards in my hand.
And the wind whipped the granite above me
and blew the tumbleweeds clean through my soul.

I fought her winters, busted her horses
I took more than I thought I could stand,
but the battle with the mountains and cattle
seems to bring out the best in a man.
I guess a sailor, he needs an ocean
and a mama, her babies to hold.

And I need the hills of Wyoming
in the land of the buffalo
Now shes sellin’ out, and I’m movin’ on
But I’m leavin’ with more than I came
‘Cause I got this saddle and it ain’t for sale,
and I got this song to sing

I got this a new range to find
and new knots to tie
in a country where cowboys are kings
I turned my tail to the wind,
and the old Double Diamond
disappeared into the sage.

Yay ee o-del o-hoo – dee

© 1975, words and music by Gary McMahan, used with permission

Gary McMahan’s widely loved song has been cited as one of today’s top cowboy songs by Western Horseman. It has been recorded by Chris LeDoux, Ian Tyson, and dozens of other artists. Gary tells about writing the song:

My dad was a cattle trucker and had hauled lots of cattle out of Dubois, Wyoming, for a fella named Ab Cross. Ab owned the grand old Cross Ranch outside of Dubois. Dad and Ab were good friends, and I became a friend of the Crosses as well.

I believe it was 1973 when Dad and I were up there in Dubois on a fishing trip. We stayed with the Crosses, and as we were getting ready to head out, Ab said, “You’re not leaving today, are you? The Double Diamond Ranch is going on the auction block today, and it’s kind of a big deal around these parts.” So Ab talked us into staying an extra day.

We all went to the sale and saw the fine old ranch go. There were a bunch of cowboys there who had just lost their jobs and were loadin’ up and moving out, all heading to what they hoped would be another cowboyin’ job somewhere. It struck my heart, and I thought this was kind of typical of what was going on in the West.

That next day on the drive back to Colorado, I wrote the basics of the song ‘The Old Double Diamond.’ I was living in Nashville at the time and over the next…I don’t know…nine months or so, I refined the song into the song you hear today.

It’s been cut I don’t know how many times by big names and small alike. I never tried to control who sang the song. I just let it have its head…I rarely meet a cowboy who doesn’t know the words to that song.

Listen to Gary McMahan’s rendition at his web site and see a video here.

Find an Ian Tyson version on YouTube and one by Chris LeDoux here.

Find more about Gary McMahan at CowboyPoetry.com; visit his site (where there are full-length versions of all tracks on all of his albums); and find him on Facebook.

Gary McMahan is portrayed on the cover of the new Real Singing Cowboys by Charlie Seemann, in a painting, “A Fine Old Martin,” by William Matthews. (Matthews has created designs for two Martin cowboy guitars. See a recent article here.)

Folklorist Seemann, executive director emeritus of the Western Folklife Center, comments in his preface, “I once asked the late Glenn Ohrlin what he thought made a good cowboy singer. He answered, ‘First, you gotta see how good they can ride.’ That is the premise on which I have based this book.”

The insightful volume celebrates the depth and breadth of talent of many top singers and songwriters from today’s real working West.

The book includes a deep, informative introduction to cowboy music. There are are profiles, with photographs and discographies, of 50 Western singers, songwriters, and musicians: Jesse Ballantyne, Mike Beck, Adrian Brannan, Dale Burson and Family, Lyle Cunningham, Jay Dalton, Kevin Davis, Stephanie Davis, Geno Delafose, Duane Dickinson, Juni Fisher, Brownie Ford, Ryan Fritz, the Gillette Brothers, DW Groethe, Wylie Gustafson, Kenny Hall, R.W. Hampton, Joni Harms, Kristyn Harris, Don Hedgpeth, Michael Hurwitz, Ken Jones, Walt LaRue, Chris LeDoux, Daron Little, Corb Lund, Gary McMahan, Chuck Milner, Michael and Dawn Moon, Rooster Morris, Glenn Ohrlin, Ken Overcast, Howard Parker, J Parson, Bob Petermann, Jean and Gary Prescott, Buck Ramsey, Luke Reed, Ray Reed, Brigid Reedy, Dave Schildt, Trinity Seely, Clyde Sproat, Dave Stamey, Gail Steiger, T.R. Stewart, Linda Svendsen, Caitlyn Taussig, Rod Taylor, Ian Tyson, Jessie Veeder, Johnny Whelan, and Hub Whitt.

The Real Singing Cowboys is available from booksellers and the publisher, Two Dot Press, an imprint of The Rowman and Littlefield Publishing Group.

(Please respect copyright. You can share these lyrics with this post, but for other uses, please request permission.)

GIVING IN TO LONESOME by Janice Gilbertson

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GIVING IN TO LONESOME
by Janice Gilbertson

Her long legs, bony knees poking
At pantlegs, sunbleached and threadbare
Disappear into his kneehigh boots with
Burlap stuffed toes, and worn beyond repair

Her bare hands no longer noticing the cold
Are bent and fused until they feel no pain
The right rested in its place on her thigh
The left hand’s crooked fingers weave the rein

It is his tattered sheepskin coat she wears
Unbuttoned to the cold, early morning air
And it is his ole blue scarf ’round her throat
Shaped by his sweat and the knot he’d tied there

She quietly sits her beloved bay gelding
Narrow-chested and slightly splayed
He is stoved and gaunt with age
Hipbones wide and back some swayed

They stand for a moment just inside the gate
Both shifting old bodies for comfort’s sake
She legs his ribby side gently and turns
To ride the ancient fence north to the break

‘Neath a cast-iron sky without a glint of star
She rides through the dark before dawn
By the instincts of a thousand rides
They travel by memory of days bygone

There was a time she rode here on snorty colts
Their morning-fresh stride dancing her along
What a grand time she would have then,
Looking for that stray where it didn’t belong

There are no cattle now, not for a decade
But old habits hang on like old barbed wire
His fence pliars still hang in their scabbard
To twist a wire, tap a staple, should she desire

Ghost calves bawl for want of their mamas
Bulls bellow for long gone cows on the lowland
She sees him on his black on the zig zag trail
Where he is sitting his saddle just grand!

Time’s trickery confuses her and she curses
At her old mind where his image lingers
Ghostly fog knuckles over the ridge
Crawls the canyons in cold, grey fingers

A harsh chill shudders her thin body
And sends gooseflesh down her spine
The familiar sounds and images
So cruelly tease her lonesome mind

For the first time she turns back on her trail
Finally…leaving her life as it were
For the very first time in fifty years
She leaves the gate stand open behind her

© Janice Gilbertson, used with permission

Janice Gilbertson is one of the women included in the new She Speaks to Me: Western women’s view of the west through poetry and songs, edited by Jill Charlotte Stanford, with photographs by Robin L. Green.

The book is an enticing collection of works by Amy Hale Auker, Sally Bates, Virginia Bennett, Niki Berg, Teresa Burleson, Doris Daley, Janice Gilbertson, Audrey Hankins, Joni Harms, Linda Hasselstrom, Jessica Hedges, Debra Coppinger Hill, Yvonne Hollenbeck, Stacy Jenne, Dee “Buckshot Dot” Strickland Johnson, Randi Johnson, Jo Lynne Kirkwood, Echo Klaproth, Deanna Dickinson McCall, Renee Meador, Lyn Messersmith, Kathy Moss, Lauralee Northcott, Skye Mesa Ogilvie, Evelyn Roper, Sandy Seaton Sallee, Ann Sochat, Rhonda Stearns, Jody Strand, and Tina Willis. Western Horseman Senior Editor Jennifer Denison provides a foreword.

Janice Gilbertson comments, “What an honor it is to be included in Jill Stanford’s beautiful book of western women’s poetry. My western background is precious to me and being able to grasp the same fine thread as these brave, capable and talented women touches me deeply. Thanks to Jill for bringing us together.”

Find more about Janice Gilbertson, including her two novels, Summer of ’58 and The Canyon House at her web site, at CowboyPoetry.com, and on Facebook.

She Speaks to Me is available from booksellers and the publisher, Two Dot Press, a division of The Rowman & Littlefield Publishing Group.

(Please respect copyright. You can share this poem with this post, but for other uses, please request the poet’s permission.)